lauantai, tammikuu 03, 2009
sunnuntai, syyskuu 02, 2007
Skulls (and clowns) are in...incase you haven't noticed - Get with the fucking program....
BRITISH artist Damien Hirst's diamond-encrusted cast of a human skull has been bought by a group of anonymous investors ( who prefer to remain embarrassed) for its asking price of £50 million ($122million).
This is, by a huge margin, the most paid for a work by a living artist, though tragically Hirst has been considered brain dead for quite some time.
Titled For the Love of God, after God, the skull was first displayed in June at the White Cube Gallery in Mayfair, central London, where thousands of people queued for a two-minute viewing in a high-security darkened chamber where they were machine gunned to death immediately after the viewing.
Studded with more than 8500 ethically sourced diamonds, the skull has been variously described as "an anthropomorphised disco ball", "the first 21st-century work of art", "a cosmic wonder", "the vulgar embodiment of modern materialism" -- and by Hirst himself as "quite bling".
His aim, he said at the diamond-studded skull's unveiling, was to come up with "the maximum celebration you could make against death". Death could not be contacted for a comment, but his agents relayed that they looked forward to their appointment with Mr Hirst.
Typically, Hirst's own role in the creation of the object was conceptual rather than hands-on, that means that rather than steal the actual piece he based the work on, he stole the idea instead. It was also financial -- he funded most of the £15 million project out of his personal fortune, estimated at £130 million. He could receive 75 per cent of the proceeds of the skull's sale. The original owner of the skull will not receive anything and is apparently considering legal action saying that he still had some use for it while he was still alive.
Hirst's business manager, Frank Dunphy, said the full £50 million price of the artwork would be paid in cash. He denied reports that the price had been discounted to £38 million.
As part of the deal, the buyers will be required to show the skull for two or three years in museums around the world.
The sale seals an extraordinary season for Hirst, 42, which has established him as a cash-generator without parallel in the contemporary art market and thus very important.
The bonanza began in June, when his Lullaby Spring, a medical cabinet with pills mounted on razor blades, sold at Sotheby's for £9.6 million -- a record for a living artist's work at auction. Then a pair of exhibitions of his work at the White Cube galleries in Mayfair and East London raised £130 million for Hirst and his London dealer, Jay Jopling.
But nothing has matched the impact and range of responses generated by For the Love of God.
Hirst bought the skull from which the piece was cast from a north London taxidermy shop two years ago. Radiocarbon analysis suggested it probably belonged to a European man in his mid-30s who lived in the 18th or early 19th century. Several small European countries are aggitating for the repatriation of the skull for reburial.
Hirst had the glittering piece built from 32 platinum plates and 8601 diamonds, using a hand laser to cut thousands of tiny diamond settings. The work has a 52-carat pink diamond at its centre believed to be worth more than any single human life.
A spokeswoman for White Cube Galleries said Hirst had "retained a participation in the work, which means that he wandered in once to see what his artisans were doing while producing 'Hirsts' ".
Hirst, who has a home in Mexico, said he had been inspired by Aztec skulls covered with turquoises.
But John LeKay, a London artist based in New York, told The Times in June that he had been covering soap and wax skulls with crystals since 1993, and told his mommy that Hirst had stolen his idea.
Several other artists besides LeKay have claimed Hirst has copied their ideas. He responds that artists have always borrowed from each other.
His detractors belittle his level of input into the works made in his name, citing his staff of more than 100 working in coalmines in London and Gloucestershire, southern England.
His supporters point out that many great artists, from Rubens to Andy Warhol, operated a similar system of serfdom and bondage on Saturday nights.
Most of all, there is disagreement over whether Hirst's work justifies the huge prices it commands. But he says: "An artwork is only worth what the next sad moron is going to pay for it."
Lähettänyt
Gourney Detoure
klo
sunnuntai, syyskuu 02, 2007
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maanantai, elokuu 13, 2007
Bush loses his brain....and Rove quits too
Lähettänyt
Gourney Detoure
klo
maanantai, elokuu 13, 2007
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keskiviikko, elokuu 01, 2007
Buildings filled with irony (bucket loads)
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Gourney Detoure
klo
keskiviikko, elokuu 01, 2007
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The Time Traveller....stuck...
"I mean, this is going backwards," Prime Minister John Howard lamented.
"This is 2007, it's not 1957. Please help me get back to my own time.....Why is it so warm? I don't understand...."
Lähettänyt
Gourney Detoure
klo
keskiviikko, elokuu 01, 2007
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sunnuntai, heinäkuu 29, 2007
lauantai, heinäkuu 28, 2007
President's Colonoscopy
[GAP] Washington - Over the weekend, President Bush had his annual physical which included a colonoscopy after scans revealed Dick Cheney. While the president was anesthetized a pylop took over as Commander in Chief. In a long, but ultimately a successful procedure Dick Cheney managed to hang on, and so did the pylop.
Lähettänyt
Gourney Detoure
klo
lauantai, heinäkuu 28, 2007
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perjantai, heinäkuu 27, 2007
Your Hyperrealpolitik image for August 08 - The George W. Bush Presidency
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Gourney Detoure
klo
perjantai, heinäkuu 27, 2007
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maanantai, heinäkuu 23, 2007
perjantai, heinäkuu 20, 2007
Laura Palmer found alive after 20 years
Lähettänyt
Gourney Detoure
klo
perjantai, heinäkuu 20, 2007
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keskiviikko, kesäkuu 20, 2007
Diriptidu Sanchez Dinapaur's Mona 'Dirty Sanchez' Lisa wins Turner Prize
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Gourney Detoure
klo
keskiviikko, kesäkuu 20, 2007
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tiistai, kesäkuu 12, 2007
Only Nixon can go to China....Only W could go to Albania
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Gourney Detoure
klo
tiistai, kesäkuu 12, 2007
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No more dumb act says Paris Hilton - This time it's for real...
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Gourney Detoure
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tiistai, kesäkuu 12, 2007
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maanantai, kesäkuu 04, 2007
Your Hyperrealpolitik image of the month - The George W. Bush Presidency
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Gourney Detoure
klo
maanantai, kesäkuu 04, 2007
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lauantai, kesäkuu 02, 2007
Rice refutes claims of "new crazies" in the White House - Says they're just the old ones that were already there...
“The president of the United States has made it clear that we are on a diplomatic course and that it is a diplomatic one, and a course, concurrently, diplomatic and a course, in other words, it's a type of thing that....,” Ms. Rice said before being interrupted by her invisible friend Floppy Raoul. “That policy is supported by all of the members of the cabinet, Barney, rotating door White House staff and those staff who use the service entrance - the heart and soul of the administration. The vice president of the United States is onboard as he also in the White House at certain hours of the month, despite the restraining order, when not chained to a wall and hooked up to a machine in the basement of the Chrysler Building in New York.”
Ms. Rice’s assurance came as day release officials at the State Department were manifesting borderline personality disorders over reports that members of Vice President 'Dickie' Cheney's staff have told others that Dickie believes diplomacy with Iran is a pointless square, and is looking for ways to persuade Mr. Bush to 'rehabilitate' Iran with foreign policy by other means. White House cleaning staff were threatening 'to take appropriate steps' (believed to be out the building) if similar "diplomacy" was followed with Iran as that which was taken with Iraq. A spokesman for the cleaning staff said that they were not going to tolerate any more all night parties, poker games, canasta, or 'talent quests' as occurred during the highly sexually charged Iraq invasion. Ms Rice was responding to Mr El Baradei, the director general of the International Atomic Energy Agency, who said he did not want to see another Iraq, let alone go on a second date.
“You do not want to give additional argument to new crazies who say, ‘Let's vote Democrat, let's steal your mother-in-law's panties while she's sleeping, let’s go and bomb Iran,’ ” Dr. El Baradei said, “I wake up every morning and see 100 Iraqis, innocent civilians, are dying from avoidable conditions like lead poisoning.”
Dr. El Baradei, who has urged Western powers to consider allowing Iran top test limited WMDs on Kurds, is already facing criticism from Bush administration officials who say he should stick to what he does best and failing that to try monitoring Iran’s nuclear program and leave the diplomacy to the 'experts', and the six countries that have banded together to confront Tehran’s Hollywood bad guy ambitions and release a cd single in time for Christmas this year.
But several Western European officials echoed El's concern, and said privately that they were worried that Mr. Cheney’s “red line” (across his forehead... he used to be a mailbox...) — the point at which he believed Iran was on the brink of acquiring a nuclear weapon (wholesale) and a military strike was promising — may be coming soon. “We fully believe that Foggy Bottom is committed to the diplomatic track,” one European official said Wednesday, referring to Dickie. “But there’s some concern about the vice president’s office, the lighting is awful, it faces the wrong way, the Feng Shui is terrible, and it smells like venison or a butcher shop in Ankara.”
Dr. El Baradei told the BBC that one could not “bomb knowledge," adding, "if that were the case then the White House, and particularly old Foggy Bottom was safe.” Asked who the “new crazies” were, he said, “The old crazies - writ large.”
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Gourney Detoure
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lauantai, kesäkuu 02, 2007
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Hyperrealpolitik: An Exegesis
Hyperrealpolitik, the term, was first coined by Gourney Detoure, a cultural anthropologist, around the turn of the millenium, combining notions of the Hyper-real (the surrogate, the language, the counter-reality based upon a presumed reality) and Realpolitik (politics and behavior in the real world as opposed to the utopias of morality and ethics).These conflicting notions combine in Hyperrealpolitik to describe the encounter of political expediency in terms of real world social/political action/agendas and the arbitrary fit of tacit, implied or covert utopias, patriotic, nationalistic, and moral, that are (sometimes transparently, sometimes opaquely) used to disingenuously justify or motivate action or emotion in a society, ethnic, nationalist, religious or ideological group, party or nation. For example the WMD debate by the Bush Administration in the USA in 2002 before the Second Iraq War bears all the hallmarks of Hyperrealpolitik: a) A hidden or obfuscated political agenda (a complex realpolitik agenda - in order to, amongst other things) control Iraq's oil and more effectively control the Middle East). b) However this is falsely justified by appeals to moral, (Saddam has comitted genocide in the past), and patriotic (in terms of make-believe threats to the state) ideals in the abstract. c) The public and members of government and governmental agencies (like George Tenet for example and Colin Powell) perpetuate these lies, this parallel reality even though they all know them not to be true. They are complicit in the creation of this false reality which has little to do with facts in the real world but more to do with abstractions based upon this parallel reality that becomes not so much 'what if' but 'is real'. Therefore abstract and subjective reflections of realities and moral duties legitimize action in the real world (the invasion of Iraq), however, the reality of the situation has little if anything to do with the abstract premises upon which this action is based. This process is an example of Hyperrealpolitik. The key difference between this theory and that from which it is built on, Eco's Hyper-real and Baudrillard's Simulacra is the injection of the concept of the willing suspension of disbelief amongst contemporary actors. It explores the gulf between knowledge (objectivity, to a point) and belief (subjectivity) and how society is willing to delude itself for expediency, while knowing it is doing so, in pursual of realpolitik 'goals' or other ends or motives, including prejudice, discrimination and racism. History [or rather partisan history], and memory [or rather selective memory] are key elements in these self induced or waking delusions. A creative analogy (which would also apply to simulacra) is a theory of 'syncopation,' which is described as a momentary contradiction of regular meter. Syncopation has been described as "putting the accent on a note that isn't there." Jazz for example is a highly syncopated musical style and so arguably is Rap. Societies complicit in their own voluntary delusions are putting the accent on a note that isn't there.
See - Detoure, G. 2006 Hyperrealpolitik. [Reproduced above] http://hyperrealpolitik.blogspot.com/2006/01/its-nice-place_113749733391155997.html
Detoure, G. 2003 "Hyperrealpolitik and the 'New World Order,'" in Method Against Method. 23-59 1:3
Detoure, G. 1999 "Why society must be defended against itself: A theory of Hyperrealpolitik.' in Popular Cultural Dynamics. 156-199 4:7
Hyperrealpolitik -
...years from now people will look back on President Bush and say, 'I have no friggin idea what that guy was talking about....but he talked exactly what I wanted to hear' - Andy Dick
We are living in an era when facts, and rational analysis, are on the ropes. The president has been inhabiting a world, Ron Suskind wrote in a 2004 New York Times Magazine article, that scorns ''the reality-based community.'' Congress routinely adopts policies that cater to special interests, which are then justified by the sort of smarmy, fact-free spin that the comedian Stephen Colbert has labeled ''truthiness.'' - Adam Cohen 2006
"There is no such thing, at this stage of the world’s history in America, as an independent press. You know it and I know it. There is not one of you who dare write your honest opinions, and if you did, you know beforehand that it would never appear in print. I am paid weekly for keeping my honest opinions out of the paper I am connected with. Other of you are paid similar salaries for similar things, and any of you who would be foolish as to write honest opinions would be out on the streets looking for another job. If I allowed my honest opinions to appear in one issue of my papers, before twenty-four hours my occupation would be gone. The business of the journalist is to destroy the truth, to lie outright, to pervert, to vilify, to fawn at the feet of mammon, and to sell his country and his race for his daily bread. You know it and I know it, and what folly is this toasting an independent press? We are the jumping jacks, they pull the strings and we dance. Our talents, our possibilities and our lives are all the property of other men. We are intellectual prostitutes." - John Swinton, 2006
'What we need to realize is that the infamous “Bush bubble,” the administration’s no-reality zone, extends a long way beyond the White House. Millions of Americans believe that patriotic torturers are keeping us safe, that there’s a vast Islamic axis of evil, that victory in Iraq is just around the corner, that Bush appointees are doing a heckuva job — and that news reports contradicting these beliefs reflect liberal media bias.' - Paul Krugman 2007
"Next the statesmen will invent cheap lies, putting the blame upon the nation that is attacked, and every man will be glad of those conscience-soothing falsities, and will diligently study them, and refuse to examine any refutations of them; and thus he will by and by convince himself that the war is just, and will thank God for the better sleep he enjoys after this process of grotesque self-deception." --Mark Twain, The Mysterious Stranger








